Opera Company of Middlebury’s 2026 Fall Festival…

featuring Rappahannock County

Music by Ricky Ian Gordon | Libretto by Mark Campbell
Directed by Douglas Anderson | Conducted by Filippo Ciabatti
Meet the cast!

FESTIVAL EVENTS
September 23 - October 4, 2026
September 23 - Festival Opening: Screening of Shostakovich Against Stalin: The War Symphonies
September 24 - Concert: OCM Festival String Quartet
September 27 - Lecture: Music and Social Power
September 30, October 2, and October 4 - Opera: Rappahannock County

Music in Troubled Times

Under the age of 26? Check out our Opera Under 26 program to learn how to get free tickets!

OCM’s Music in Troubled Times Festival is made possible by

This program is supported in part by the Vermont Humanities, the state affiliate of the National Endowment for the Humanities, www.vermonthumanities.org, and by the Vermont Arts Council, which receives support in part from the National Endowment for the Arts, a federal agency, and the State of Vermont through funds from Vermont’s 250th Anniversary Commission.

Opera Company of Middlebury celebrates the 250th anniversary of the American experiment with an exploration of music’s resistance and resilience in the face of injustice.

MUSIC IN TROUBLED TIMES

A festival of chamber music, film, conversation and opera, featuring Rappahannock County

September 23 - October 4, 2026

All events take place at Town Hall Theater.

Wednesday, September 23 – FESTIVAL OPENING: Reception + Film Screening

FREE/Donations welcome, registration required

6:30pm – Festival Opening Reception, Open to all, light refreshments served. Prosecco available for 21+, N/A option available

7:30pm – Film screening of Shostakovich Against Stalin: The War Symphonies

Thursday, September 24 – CONCERT: OCM Festival String Quartet

Tickets: $30/$45

6:30pm – Pre-show talk with Middlebury College professor of music, Dr. Danielle Simon

7:30pm – Performance by OCM Festival String Quartet with mezzo-soprano Claire McCahan & baritone Adam Richardson

Sunday, September 27 – LECTURE: Music and Social Power

FREE/Donations welcome, registration required

2:00pm – Lecture with Middlebury College professor, Dr. William Nash

Wednesday, September 30 – OPERA: Rappahannock County

Tickets: $50 - $100

7:30pm – Performance of Rappahannock County

Post-show – A conversation with the cast & creative team, plus composer Ricky Ian Gordon (opening night only!)

Followed by a Prosecco toast!

Friday, October 2 – OPERA: Rappahannock County

Tickets: $50 - $100

7:30pm – Performance of Rappahannock County

Post-show – A conversation with the cast & creative team

Sunday, October 4 – OPERA: Rappahannock County

Tickets: $50 - $100

2:00pm – Performance of Rappahannock County

Post-show – A conversation with the cast & creative team

RAPPAHANNOCK COUNTY CAST

Listed alphabetically by last name

Patrick Bessenbacher

With “purity of tone and ardent, youthful stage presence” (Opera News), tenor Patrick Bessenbacher is excited to join the Opera Company of Middlebury again this fall. Most recently, Patrick performed the role of Roméo in Gounod’s classic Roméo et Juliette, with Park City Opera, as well as Camille de Rossillon in The Merry Widow with Sarasota Opera. Patrick has had the privilege of performing with other wonderful companies, including Florentine Opera, Opera San Jose, Pacific Opera Project, Opera Theatre of St. Louis, Opera Birmingham, Lincoln Center Theatre, West Bay Opera, and of course, the Opera Company of Middlebury. He received his Bachelor’s in Music at the University of Colorado, Boulder, and his Master’s in Music from The Juilliard School. Patrick enjoys spending his free time with family and friends, in the mountains skiing, on the beach having a drink, or just on the couch, enjoying everyone’s company. patrickbessenbacher.com

Joshua Jeremiah

Hailed as “rich-voiced” (The New York Times) and praised for his “warmly appealing, burnished baritone” (Opera Today), Joshua Jeremiah continues to bring his celebrated performances to theaters throughout the United States. Last season, Mr. Jeremiah joined Heartbeat Opera as the Doctor in Vanessa, returned to Toledo Opera as Escamillo in Carmen, débuted with Piedmont Opera as Tonio in Pagliacci, returned to Hawaii Opera Theater for the world premiere of The Sheltering Tree, and most recently débuted with Opera North as Horace Tabor in Ballad of Baby Doe. In an exciting 2026-27 season, Mr. Jeremiah returns to Hawaii Opera Theater as Jack Torrance in The Shining, makes his house and role début with Opera Omaha as Thalasso in The Pigeon Keeper, returns to Opera Company of Middlebury for their production of Rappahannock County, and returns to South Dakota Symphony Orchestra as a soloist in Beethoven’s Missa Solemnisjoshuajeremiahbaritone.com

Claire McCahan

Mezzo-soprano Claire McCahan is highly regarded for her work in Baroque, recital, opera, and contemporary repertoire. Recently: Yvonne/Betty in Sondheim’s Sunday in the Park with George, Mama Cordero in The House on Mango Street with the Glimmerglass Festival, Arias Aloft with Boston Lyric Opera and Opera on Tap Boston, the American premiere of George Benjamin’s Lessons in Love and Violence at the Tanglewood Festival, Sibella in A Gentleman’s Guide to Love and Murder with Opera Saratoga, covering Cherubino in Mozart’s Le nozze di Figaro with the Handel & Haydn Society, and Orfeo in an adaptation of Gluck’s Orfeo ed Euridice with Renegade Opera. Her 2026 engagements include Dido in Dido & Aeneas with Excelsior Vocal Ensemble and Rappahannock County with Opera Company of Middlebury. A recent winner of the 2025 National Federation of Music ClubsYoung Artist Competition and the 2025/26 Federation of Art Song Fellowship she appears in recital at the Kaufmann Center and the Zimmerli Museum. clairemccahan.com

Adam Richardson

Baritone Adam Richardson is a versatile performer acclaimed for his work across opera, concert, and theatre stages. Praised by Opera News for his “gorgeous textured baritone,” he has appeared with leading companies including the Metropolitan Opera, Virginia Opera, Lyric Opera of Chicago, and Opera Omaha. Highlights include X: The Life and Times of Malcolm X, We Shall Not Be Moved (a role he originated), and the world premiere of Loving v. Virginia. He has also performed internationally with Dutch National Opera, Staatsoper Hamburg, and at major venues across Europe. In the 2025-26 season, Richardson joined the Broadway National Tour of Les Misérables. Additional credits include Intimate Apparel at Lincoln Center Theater and his film debut in Blue’s Clues Big City Adventure. A recipient of numerous awards, including recognition from the Metropolitan Opera National Council, he holds degrees from Carnegie Mellon University and The Juilliard School. adamrichardsonbaritone.com

Renée Richardson

Haitian-American soprano Renée Richardson hails from Philadelphia, Pennsylvania, and is currently residing in West Palm Beach, Florida. Richardson is a graduate of the Houston Grand Opera Butler Studio, studying with Stephen King. Her most recent roles include Cassandra in Stella Sung’s The Secret River with Opera Orlando, La Contessa in Le Nozze di Figaro with The Muses Project and Pensacola Opera, and Mimì in La Bohème with Madison Opera. Previous roles include Fiordiligi in Mozart’s Così fan tutte, Donna Anna in Mozart’s Don Giovanni with Wolf Trap, Flower Maiden in Wagner’s Parsifal, Annina in Verdi’s La Traviata and covering Mary Jane in Jake Heggie’s Intelligence, all with Houston Grand Opera. This will be Richardson’s debut with Opera Company of Middlebury. renee-richardson.com

Conductor: Filippo Ciabatti
Orchestra Contractor: Mary Gerbi

Orchestra

Violin
Brooke Quiggins, Concertmaster
Jamecyn Morey
Emily Dahl Irons

Viola
Stefanie Taylor

Cello
Jonathan Brin
Samuel Boundy

Bass
Evan Runyon

Piano
Eden West

Flute / Piccolo
Melissa Mielens

Oboe/French Horn
Michelle Farah

Clarinet 1
Karen Beacham

Clarinet 2/Bass Clarinet
Katie Curran

Bassoon
Allen Hamrick

Horn
Patrick Kennelly

Trumpet/Flugelhorn
Elizabeth Jewell

Trombone
Kevin A. Virgilio

Timpani / Percussion
Nicola Cannizzaro

Rappahannock County Synopsis 

The original libretto for Rappahannock County was inspired by events in the American Civil War and drawn from diaries, letters, and other accounts of the period. Performed by a cast of five singers who play over 30 roles, the narrative follows the lines of history chronologically—from secession in 1861 to surrender in 1865—and is divided into five parts:

Part 1: Secession. In the onrush to war, a preacher tells his congregation that slavery is sanctified by God, an affluent woman calls it "a noble institution," and a politician rails against the federal government's violation of states' rights. While two slaves imagine what their lives would be like if they were free, a Virginian bids farewell to his home state as the South declares war. The victory at Manassas is celebrated.

Part II: The "Quick" War. A young man listens to his master and wife discussing the war and tells his fellow slaves what he heard. A cartographer for the confederacy laments the destruction of the land he's mapping for them. A soldier dies after seeing snow for the first time. Two slaves cross the Rappahannock River to freedom in the north.

Part III. The Reality of War. A woman makes confectionary treats to extract information from Yankee troops that she then shares with a confederate spy. A freed slave disdains the Emancipation Proclamation, while a woman expresses her concerns about the changes sudden freedom will bring to her life. A confederate soldier wastes away in a hospital as he questions dying for the cause.

Part IV. The Lost Cause. A nurse, who has lost a husband and son, bemoans the expressions in soldiers' eyes she tends to. A mortician brags about his booming business. A former slave grieves over the death of her baby who died from disease in a "contraband" camp. A deserter denounces the war before he is hanged. A black soldier for the Union decides to spare the life of a Confederate soldier at the end of his gun.

Part V. The Cruel War Is Over. A family mourns the loss of their house when they return to it. Two former slaves are joyful that they are now permitted to marry and all express hope about healing after the war has ended. 

Mark Campbell, Librettist

The Pulitzer Prize and Grammy Award winning operas of librettist/lyricist Mark Campbell are among the most successful in the contemporary canon.  A prolific writer, Mark has created 45 opera librettos, lyrics for 7 musicals, and the text for 12 song cycles and 7 oratorios. He received the 2024 Lifetime Achievement Award from the National Opera Association and was inducted into the OPERA America Hall of Fame in 2026. His works include Silent Night, The (R)evolution of Steve Jobs, The Shining, Elizabeth Cree, As One, Stonewall, Sanctuary Road, A Thousand Acres, Edward Tulane, Unruly Sun, The Cook-Off, The Manchurian Candidate, Stone Soup, A Sweet Silence in Cremona, Later the Same Evening, The Nefarious, Immoral but Highly Profitable Enterprise of Mr. Burke & Mr. Hare, Approaching Ali, A Letter to East 11th Street, A Year to the Day, Volpone, and Bastianello/Lucrezia, and the musicals, Songs from an Unmade Bed, The Audience and Splendora.

Interested in exploring the music of Rappahannock County?
Check out these videos of past performances:

All I Ever Known

I Seen Snow

Hallie Ann

PBS Documentary: The Making of Rappahannock County

Ricky Ian Gordon, Composer

Ricky Ian Gordon was born in Oceanside, NY and raised on Long Island. After studying piano, composition, and acting, at Carnegie Mellon University, he settled in New York City, where he quickly emerged as a leading writer of vocal music that spans art song, opera, and musical theater. Gordon’s songs have been performed and recorded by Renée Fleming, Dawn Upshaw, Nathan Gunn, Judy Collins, Kelli O’Hara, Audra MacDonald, Kristin Chenoweth, and many others. His works include Dream True, Orpheus and Euridice, Green Sneakers for Baritone, String Quartet, Empty Chair, and Piano, The Grapes of Wrath, and Intimate Apparel. Stephen Holden, writing in the New York Times wrote of the work, “If the music of Ricky Ian Gordon had to be defined by a single quality, it would be the bursting effervescence in fusing songs that blithely blur the lines between art song and the high-end Broadway music of Leonard Bernstein and Stephen Sondheim…It’s caviar for a world gorging on pizza.”

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